Artist statement

- Embodiment, visceral, corporeal, experiential
- vessel, shamanism, bigender identity fusion, performance art.
- the human condition, psychic fragmentation, belonging and displacement, liminality, soul split
- form: ritual, temporal space of cine expandido, installation, jam karet
- form: objects and their spirits (product design)
- sailing worlds: cosmologies of the technic world and the magical world, collective unconscious, universal symbols
- Life and death, the very beginning of matter, the dust settling and becoming form and meaning, ancestry
- Dreams from the ancient world - the wild, landscape, the fortex of time





- numbness, sensitifity, hannah Arendt

I work with perception, I’m a creator of things that might or might not exist or have existed or might someday exist.

#adaptation
#guide

#shadows,
# projections (physical and psychological)
#thebeast

I work with and against the capitalism, which is the child of the colonial fantasy.

I need to write an essay on:
Why filmmakers should become designers, why designers should become anthropologists and why anthropologists should become filmmakers.

Cine Expandido - It’s not beyond and it’s not behind, it’s...
Reflections on “It’s too cold for the spirits to live here”

The fantasy of the colonies are as vivid as

Sonic entrainment:

In expanded cinema environments, entrainment often happens through the interaction of image rhythm, projection light, and sound.

Examples:
  • looped film projections with repetitive sound
  • multi-channel sound installations
  • spatial acoustic environments
  • audiovisual drones.

Instead of telling a story, the work modulates perception over time.


















I  work